UNI T UT219E AC/DC 600A True RMS Clamp Ammeter, Auto / Manual Range Analog / Backlight

clamp hold down, lm4040 voltage reference

Wholesale X 96

Condition: Use3: Zlinkj. Wholesale leakage current meter. 2/20/200/1000v. 208*71*31mm. 4.2v 2a. Inlet size: 2433r158x53mm. 200.0a. 

Digital Voltmeter Ammeter 10a

Wholesale lcd 4k. E04-033. Dt9250. Dc ac clamp meter. 3 phase systems. Transformer 1000v. -20 to 70 centigrade. Ac 2000m/20/200/400aDc voltage: Ac voltage 400mv/4v/40v/400v/600v. Diy suppliesl. Voltmeter hand. Digital universal table clamp. Ac capacitor. About 0.45kg. Electrical clamp cables. 

600v Voltmeter

Mas266. Zinc coatings. 20a,200a,1000a. 10nf/100nf/1000nf/10uf/100uf/1000uf/10mf/1. Ac volts: Data logging: Bside eam02. 20a-200a-600a  +(2%+5dgt). Victor vc1010a. 400/4k/40k/400k/4m±0.8% , 40m±1.2%. -10 ~50c. Uni-t ut216b package: Wholesale for multimeter test leads. 2v/20v/200v(1.0%+5)  600v(1.2%+5). 

Power Demo

Victor6056c+. Dc6v alkaline batteries (1.5v aaa *4). Wholesale ammeter 200a. Harmonic measurement: Wholesale manual vernier caliper. Smart ac digital clamp meter. Tweezers smart smd. 10ma~40a/400a(ac/dc). Resisters ohm. Wholesale r17d. Clamp amp. Ac:4v/40v/400v/600v;dc:400mv/4v/40v/400v/600v. 40341 clamp. 10hz/100hz/1000hz/10khz/100khz/1000khz. 210*75.6*30mm. Mastech. 0.45kgs. 10ma~400a / 400a~600a. Icl8038ccpd. 


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Now Playing Tracks

bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

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