YAOPEI For Mercedes New Genuine Valve Control Solenoid 0005450327/A0005450327

engine crankshaft, polaris sportsman 700

Superb

Epman racing. Ulpk0041. Plastic body spare. Turbo td04l. Logo lcd. 54359880005; 54359700005. Oem part number 4: For vw 1.9l tdi 90/110 & pd100/pd115. 042260l010, 04226-30020, 294200-0093. For bmw e46 e39 e83 e53 x5 x3 m5. Sa-5176-24  1756es-24suc5b1s5. 12615613. 

Honda Civic 2011 2017

6an to m12 x 1.0. 8dc8: Note e11. Injector replacement. 	for generatorfreilauf freilauf lichtmaschine. Crankshaft + connector rod bearing shell set. Set of 4 pieces as showing in picture. 3510025400. Turbocharged solenoid valve. Autoleads daewoo. 33027g. Wholesale qq cheri. Item number: 

Pw50 Yamaha Dirt Bike

0928400739. 15845-raa-a01. Partysu. 28451-ze2-w01. 146.05mm. 1245000406. For ford mondeo mk4 2007-2015 s-max 2006-2014 rear right brake caliper. Wholesale ls c120d. 058 103 221 e, 06a 103 213 f,06a103213f. 1.9 volkswagen. 078109087c, 078109087f, 078109087h. 126mm. Polaris atv mudding. Fh500v 17 hp, fh580v 19 hp. Wholesale concentric. Backhoe loader. Toro snowblower carburetor. 

Wholesale Mitsubishi Injector

Ford blower. Metal + plastic. Mb937731 mb620532. Idle air valves. Isuzu d max rodeo. Yinyoo h5. Chainsaw 262. 308054004   308054012  308054013. Toyota turbo ct26. Yamaha ignition coils. Package: Ssangyong korando. Engine rebuild kits lancer. Oem1: 7700107797 4415798. 282004a480,5303-988-0145,5303-970-0145,. Md 997233. 4tne94. 17137552546. Oe no. 6 : 


r:app:id:iphone" content="305343404" /><"http: //thenerdybird.tumblr.com/page/6" />
Now Playing Tracks

bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

We make Tumblr themes