30g(6000pcs) 4mm Dark Watermelon Color Round Cup loose Sequins for clothing Sewing,Wedding Craft,Women DIY Garment Accessories

Wholesale paillette 25mm, accessories for sewing purse

Shoes Pet

043007020. Universal engagement,gift, party,other. Pillow embroidered. Bq103. Kids glitter crafts. Luxury fashion sequin glitter bling cases. Ab plating yellow. Navy metallic4mmhollowheartnail20g. D1041. 

Solid Flat Round Sequins

Shell flowers diy. Stars bags. Funique. Flat sequins 4mm. Hot backpackers. Keelorn. Cloth dipaers. 25mm snowflake. Mobile phone accessoriesSequin shapes. High quality sewing on sequins. Fishing lure spoon metal jigging lures: Suggested needle: 

Top&tees

Origin: Metal mermaid shape10mm five petal flowers. Beads in clothes. L-2-01. 26m,18m,10t,23m,13m,20m,9t,33m,27m,4t,6t,17m,8t,28m,14m,11t,12t,12m,16m,34m,7t,15m,5t,21m,19m,25m,31m,24m,29m,32m,30m,22m,3t,35m. Design:2.4mm. A1205. 15mm flat round 8#. Mix mulit color. Black diamond mm. Suitable age: Nail sequins square. Handbag mirror. Laser black. Abrasion resistance,heat resistance,eco-friendly. Single. 043007011. 

Fabric Rhinestone

Cushion cover. Approx 25mm diamete. Net water transfer. 2x3mm. Table runner. 1mm round sequins. Sequins for decorations. Nail mix white pink blue purple. Wholesale materials crafts. Dk purple. 50mm flat ab transparent. Wholesale pet heating. Pvc earrings. Quality: Sequins white flowers. Jumpsuits & rompers. 6mm cup sequins ribbon. Metallic dusts. Diamantes for crafts. 


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bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

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