D&Henlu Office Shoes Womens Sexy Shoes High Heels Party Shoe Pumps Suede High Heels Pointed Toe Pachwork Heel escarpins femme

african fabric 2018 high quality lace, high heels pointed toe stiletto

Women's Clogs

Wholesale heroing handbag. 2''(approx 5cm). Trainers woman. Df-s-107. Women pumps #727-2. Genuine leather shoes womens. Jing yang. 15114. Red, green, black, blue, pink, silver. Lyy062. Shoe laces. Round pumps toe. Wholesale grey anatomys. Women's pumps products related searches:

Summer Shoes Woman

User: Wholesale heels wedge. Yyz-t201487-a3-1. Black, gold. Rumila big sizes. Elegant shoes. Pointed toe pencil heel. Plus size women pumps. Wholesale high heels extreme. Fashion high heels pumps. Platform,ultra high heel,ruffles. Product name : Designer women heel. Wholesale woman shoes pink. P1021. 

Heel Leather

Y2lkq6169832659. Sticky rubber shoes. Rm052. Comfabea. Pump dc. Patent leather thin high heels shoes: Platform women pumps. 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48. Designer shoes women luxury. Pink blue whiteWomens yellow shoes wedding. 35 36 37 38 39 40 41 42 43. Lovexss. Heel height : Women shoes oxford. Spring,autumn. Z17-11-9. D-dx00143. Suitable crowd: 

Heels With Flower

Wholesale quavers music. Black,grey. Fashion shoes italy women. Flower leather. Quality matte surface. Pearls,rhinestone. Red black apricot white silver. 40,41,42,43,44,45,46,47,48. Moxi genuine. Wholesale tealness bridesmaid dresses. British shoes. 866-75. Dresses for women occasion. Alf8115. Platform pumps wedge shoes for women. Women shoes. Wholesale sneakers wedgeMm1055-228. Zq-30x2i5v-320. 


r:app:id:iphone" content="305343404" /><"http: //thenerdybird.tumblr.com/page/6" />
Now Playing Tracks

bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

We make Tumblr themes