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mirror light shadeless, flexible pendant lamp

American Retro Vintage Pendant Lights

Dinnerware set,rustic chandeliers,vintage industrial lighting. Silcon. Iron,wood,aluminum. Bluetooth chandelier. White/black. Name necklace. Vintage pendant lamp. Art wire. Emc,cqc,ul,lvd,ccc,fcc,ce. Copper light fixture pendant. Certificate type: 

Modern Lights For Restaurant

Lounge restaurant. Lighting fixture exteriors. The e27 wire lamp holder. 110v 220v 90v to 260v. Models: America princess-0558. Three years. 27cm.. Silver,yellow. Wholesale baroque. Suitable for light source power: Features 1: Crystal,aluminum. Height of pendant lamp: Led ring : Retro wooden lighting. Chandelier: Hotel room,parlor,master bedroom. 

Pendant Light Cement

Without switch. Lampadari moderni a sospensione. Nordic modern simplicity pendant lamp. Lampe crochet. Key words 2: Wholesale camcorder. Deore. Wholesale lamp basketball. 1 meters(39.4 inch). Height: Push button switch. Chinese lantern chandeliers. Green,black,white,red. Lamp pendant brass. Bestseller. Led dslr. 

Py24w Led 80w

Orange,green,white,blue,gray,black,yellow,purple,red. Light sources: Industrial light fixtures: Please feel free to contact us. Ux100. Wholesale of life tree. Functian3:10 cm. Aluminum pendant light:Light cylinder. Retro lamp: 2017090104. Ligting. Thread for light bulbs. Light fixture halogen. Small, medium, large. Dining room pendant lamp. Rope+cloth. Can be used in: Retro loft light pendant fixtures lampen modern schwarz. 


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bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

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