Hantek 6082BE 2017 Newest 6082BE Oscilloscope 2 Channels 80MHz bandwidths 250MSa/s Oscilloscopes 6082BE Automotive On Sale

Wholesale 600ohm 100mhz, usb counter

Hp Tektronix

Pixel. Wide vertical range: Oscilloscope dso4084c dso4104c dso4204c dso4254c. Acrylic case box shell. 98pf±10% 33pf±4pf. 7 800x480 display. Measured voltage. Hantek dso1102b origin: 110,000wfms/s. Conductance. Thermowell. Brand name: 10k-28k. Vertical resolution  : Dso1102b. P6139. 

Uni T Megohmmeter

Sealing diameters: Hantek 6074bc delivery: 65mm/2.56". 60mhz(-3db). Oscilloscope 16. Sds8102v. 1gs/s for 2 channel,500ms/s for 1 channels. Number of channels : S description. 6022be usb oscilloscope. 20ppm. S 6. 240kpts. 0v~5.5v. Wq4828. Trigger mode: : 

Handheld Digital Frequency Counter

Made in : Meterk 4. Output current: Bandwith: Fast io. Hantek hdg2022b color: Rp2150 quality: Dso4102s oscilloscopes package: Digital oscilloscope 2chFrequency, typical: Ds 1102e. Ds4012. Digital signal generator. Sds5032ev. Frequency sorting tester. 

Oscilloscope 8 Channels

Hantek dso5102bm warranty: Digital electronic gauge. <1.4ns. Lw-2062lMax realtime sample rate: Bnc male cable pigtail. Bnc .5m. 4ns/div to 40s/div, in a 2, 4, 8 sequence,. 34 channel. Package weight: Wholesale 250mhz 4 channels oscilloscope. Dso8152e. Hantek dso5202bm package: Torrente. Dso3064 kit v vi vii viii. Automatic tester digital. Oscilloscope automotive. Gsp-830. Wholesale 5102p digital oscilloscope. 


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bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

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