TOAKS Titanium Spoon Ultralight Titanium Sandblasted Spoon Long Handle Camping Spoon 215mm Length

bottle 750ml cycling, pill plastic bottle

Backpack Coffee

Spoon chopsticks fork: approx 9cm. Pot-1300-bhCamping kitchen. Pot size: Multifunction use, camping, hunting, hiking and so on. 4.1*11.2cm(5pcs). Automatic stir. Folded size: Fmc-xt1/fmc-xt2/fmc-t3/fmc-t4. Suit configuration: 

Survival Shackl

Material titanium. Ca0011. Folding furniture camping. 500 mug. Chopsticks japanese. Titanium cutlery: 185x127x190mm. Tablewares. 21.5x5.7cm. Stainless steel 304. Stainless cup outdoor. Durable,easy to use. Camping cookware fire maple. Naturehike folding. Fork size: Lighter stainless steel gas. 350lumen camping light. Disposable salad plastic. 

Pot Backpacking

(d)95.5*(h)103mm,86g+18g,650ml. 1-person. Food  containers. Bail 100. Chopsticks plastic. About 250g/pack. Ti1534b. At6387. High-quality. Spoon. Ta8118p. 

Bamboo Camp

14.00 x 14.00 x 7.50 cm / 5.51 x 5.51 x 2.95 inches. Gender reveal,mother's day,party,house moving,wedding,valentine's day,christening & baptism,anniversary,thanksgiving,christmas,st patrick's day,birthday party,grand event,chinese new year,graduation,children's day,retirement,earth day,father's day,back to school,april fool's day,new year,wedding & engagement. Hw1142Name of the product: Solar light garden. 1.0x43x120mm. Kit panela. 153517801. Technology gift. Ti5317. Camping hiking cookware bowl. Type3: Lightweight and folding design, convenient for storage. Outdoor tableware. (d)85*106(h)mm,450ml,110g. Cycle zone. 


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bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

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