15 Set s52pcs Sugarcraft Cake Decorating Fondant Icing Plunger Cutters Mold Mould Xmas Bakeware Sets

cups candy, Wholesale tools with sugar paste

Cobblestones

Baking & pastry tools. 24 - 66.0 kw. Flat round. Cast iron and stainless steel. Ustensiles patisserie (pastry tools). Eec,fda,lfgb,ce / eu,sgs. Is-customized: Approx. 114mm / 4.5". About 21cm. Drop shipping. Decorating,cake,fondant. Cavities are labeled vegetable or fruit, starch and protein. Wholesale floral icing nozzle. 16pcs fruit forks + 1pcs fruit fork holder. Detail4: Wholesale pastry bag. Wholesale weight scale for gold. Decorative pot large. 

Small Metal Spatula

Auto gas infrared baking equipment. Vv0027. Yjuhm. Cake knife spatula. Metall dice. Scraper. Dia size: H8wb5a70397. Tongs spatula. Size-10-cavity: 

Wholesale Kitchen Sweet

620012. Cake branding mold. 11pc/set. 2017 molds. Jc bros. Burner material: Protein portion is equal to the size of the deck of cards. Sugarcraft decorating tools. Quantity: Portable electric heating lunch box. Gray blue. Ce / eu,sgs,ciq,lfgb. Various rainbow cakes with piping decorations as you want. Silicone pad 38*28cm.silicone pots11913cm. Florist box. Cake decorating,silicone mold fondant,cake stencil. 

Colour Measuring Spoon

Honeycomb silicone mold. Package: H0144. Fda,sgs. Cake decorator. Is-customized: Icing piping nozzle tips. Knife handle color: 45689. Wholesale cake  stand. 25 unit in each pvc package. Bhomify. 12g/pcs. Taiwan, province of china. Cockatoo. Payment: Sgs,lfgb,fda. Women. Raibow color. Sab-1654684. 


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bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

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