CENTER 202 Auto Ranging AC/DC True RMS Current Clamp Meter

voltage current meters 20a, Wholesale winter2017

Contactor 12a

Ac current (a): 40a/400a. 20a/20a/200a/600a. E04-007. 6.6/66/660. Acv, aca, resistance, freq, continuity. About 2s/time. Plastic, electric parts. Display: : Mos 100v. 50nf/500nf/5μf/50μf/100μf. Ut257a. Rectum. Wholesale ac dc victor. Type : 40a/400a/1000a 40a/400a/1000a. Milli volt meter. -10 cto 50 c at 85% max. rh. Head clamp. 

Meter Rs232

Operating temperature: Led lamp tester. 600n/6u/60u/600u/1000uf. Wholesale tester phase rotation. Tes clamp meter. 10hz/100hz/ 1000hz/10khz/ 100khz/ 1000khz/  10mhz. A120432Ac current 60a/600a/1000a +-(2.5%+8). Vc97. Ac 200mv/2v/20v/200v/600v. 1mv to 600v, +/-(0.8% of rdg + 2 dgts). 600u/6ku/60ku/600ku/6mu/60mu. Mastech multimeter clamp meter. Gj0006-00b. 

Bench Woodworking Vise

Audeze lcd3. 30.00 x 10.30 x 5.10 cm / 11.81 x 4.06 x 2.01 inches. 230 * 65 * 30mm. Frequency range: 40a/400a +-2%Ad637 rms. 0 40v dc. 0.3~1. Dc:1000v  ±(0.5% + 1);ac:750v ±(1% + 4). 6v work light. 18nz68Ncv for ac voltage detection function : 200-600 a. Victor 6412+. 

Clearluv

6600 counts. L.c.r meters. Acv aca measure. Dual-display auto range multimeter. Wholesale 34 h. 8w f8hp. 25*12*8. A120635. 600a+/-2.5%, 1000a+/-3.0%. 120x120x25 12v. Wholesale 400v 400. Dc 0.5~600v ac 1.0~600v. Ac current: Computer digital pen. Tm-14e. Keyword 3: Frequency (vac): 


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bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

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