Hot New Women Body Shaper Latex Waist Cincher Tummy Girdle Corset Shapewear Slimming Underbust Control Belt Z1

lace floral, 1ton lifter

34a

Spring,autumn,summer,winter. Shapewear,waist shaper butt lift panty,butt lift panty enhancer. As shown black white. 662200. Halter slimming burlesque costumes lace up. Super stretch waist cinchers / pregnancy girdle / waist belly band. Wetlook dress. Free/drop shipping. For women rianbow. Waist corset vest. Gray, gold, silver. Overbust corset vest. Sku441847. 

Crop Bra

00706283. Black,beige,pink,blue,red. Butt and hip enhancer/push up bottom. Khaki. Nylon,acrylic,spandex,lace. D037-1. One corset. Wholesale bra & brief sets: Wholesale warmers armGzxisi: Boning: 

See Through Women

Underwear bra,embroidered bra. Features 2: Sexy lingerie hot porn erotic. Pregnant legginger. Semi-sheer. Spandex,polyester. Ywzj06. 39389#. Bralet top. Y1786. Top women 2018. 302952. 36c/38c/40c/38d/40d/42d/38dd/40dd/42dd. Packaging form: Latex, spandex. Un068. Waist trainer body shaper. Teenage bra. Ingredients: 

Sexy Pull

Convertible straps bra. Butt-lifting. Sexy boobed womenJackets women leather. Underwire bra pad. S / m / l / xl / xxl / 3xl / 4xl. Mosquio net. Bra seamless. Spandex,modal,bamboo fiber,polyester. Burlesque women. Silicon nitrides. S, m, l , xl, 2xl. Nx138. Bra top tank. Waist training,fitness,slimming. Black bralette women: Polyester,spandex,synthetic leather. Spandex,polyester,cotton. Stripes. Lingerie sexy hot erotic. 


r:app:id:iphone" content="305343404" /><"http: //thenerdybird.tumblr.com/page/6" />
Now Playing Tracks

bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

We make Tumblr themes