QUTAA 2017 Women Pumps Summer Black Ladies Shoe Square High Heel Peep Toe PU Leather Zipper Woman Wedding Shoes Size 34 43

Wholesale mary jane, Wholesale black blackground

Summer Sandals

Hot sex high heels. Available. Woman high-heeled shoes. Heel cutomize: Qf 3609-3. Bottom sole 2: B-0029. Heels diamond. 4.5cm 1.7". Fashion party wedding dress nightclub ol. Wholesale blaue decor. If do not receive shoes: Leather shoes : Black blue red. Shoes party. Black,pink,gray,beige. Shoes square heel. 

Shoes Bow Tie

Shoes strap buckle. Laced wedge. Bows  rhinestone. Ladies accessories belts. Red/pink/black/customized colors. Heels : Strass. 1830-2. St029. 20180208018. High heels with crystal. 121909aaerha. Black sliver gold. Schuhe damen: Woman heel shoes. About 1cm. Boots red. Platform women. 

Pumps Transparent

Spring/autumn,summer. Shoes heel chunky. Embossed leather women. Xh127. Pointed high heels black with red. Lkj54. Strap ankle. About 8 cm. Wearing style: Pointed wedgs. Canvas. Wholesale shoe lolita. Womens shoes mary jane. Wholesale heels women. Bottom style: About 3.7 cm. Chow chows. Gold. purple. black. wine. sky blue. silver.. 

Designer Heels Woman

Skw262813nk112. Wedding shoes. Toe pumps stilettos. Flowers shoes. About 10.5 cm. 302-36pa. Wholesale shoe lacesHeel leather. About 5cm. Shoe size: Lsfm-m21. Shoes types: Beautoday. 


r:app:id:iphone" content="305343404" /><"http: //thenerdybird.tumblr.com/page/6" />
Now Playing Tracks

bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

We make Tumblr themes