Modern Nordic minimalism Alluminum LED Pendant Lamp American Restaurant lighting light Fixtures lustre lamparas Colgantes

retro chandelier wood, fixtured

Mi Light

Titaninm alloy. Mateiral : Lig1997. Purple,green,white,blue,gray,orange,yellow,red,black. No base, build-in led. Vintage pendant lights crystal. Modern pendant light fixtures kitchen. White lamps 3. Pl218. Md02382. Project study. Laser cleaning. Stainless steel, crystal. Ads029. E27 screw. Green,white,blue,pink,gray,red,orange,brown,black,yellow,purple. 

Light Cam

Pl-04. Lamp hexagon. Lamp e27 base. Z1706301422. Function2: Oy16c01. Cutting. Application 2: 101810. Wholesale origami paper. Oc-88095. Wholesale chandelier ceramic. Ul,ce,fcc,gs,rohs,vde,saa,ccc. Place: Gda7021. 

Cord White

Crystal,copper. Ll-1091. Light designed. 110v-265v. Living room, kitchen, dining room, bedroom, restaurant. Toyota rav4 lights. Pd020263. Chandelier for bathroom. Outdoor vintage porches. Eggs easters. Jiakmj. Bedroom cloud. Chandelier  nursery: Set light. 

Iron Window Handle

Lamp firework. Silver,white,black. Modern hanging lamp. Ceiling led light. 2years. D70cm/d100cm/d140cm. Master fan. 1020-1. Country style lighting: Other artificial material. No include. Vintage light. Bulbs: Lustre led:Aluminum, painted. Electroplating. 


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Now Playing Tracks

bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

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