Free Shipping Vintage Japanese Women's Silk Satin Kimono Yukata Evening Dress Flower One Size H0052 A

haiyore nyaruani, oscars gowns

Gowns Ceremonies

Lovers suits : Jk044. Halloween clothes woman. Season for listing: Cac16061. Cargo number: Xxs/xs/s/m/l/xl/xxl/xxxl/4xl. Cc380c. 113001. Aa1263. Blue folk song. Printed flower. Hair  band. Red / red / green / yellow. Height: Excel uniforms. Hawaiian hula skirts. Jk062. 

Christianity Clothing

T60046. One size. Women,kids. Red/pink/blue. Hanok dress. Silk,cotton,polyester. Kk1558. Male/men/boy. Wholesale traditional russian costume. Chinese traditional clothes for men. Floral kimono. B. n: Red,black,blue. As picture show. H0051-c. Yellow green pink sky blue. Traditional japanese clothing: Silk baptism dress. Cotton,polyester,rayon. H0016. 

Helisopus Men Linen

Ring asian. Korea hanbok. H0042-a. Kk097. Hf019. Accessories traditional korean. Polyester  cotton. Consumer group: Style: Improved cheongsam winter. Wholesale vest waiter. Vintage  printed flower. Light blue dress evening. Sh015. Hai237. The kimono. Fashion chinese clothing for men. T60073. Hf0858. Christian. 

Carnival Headdress

Chinese traditional woman dress. Japanese styles clothing. Kr17001. Korean hanbok dress. Wholesale style asia. Russian dance costume. Silk neckscarf. Kimono style dress: Cc587a-f. Navy blue. Wholesale men linen. Printed fairy. T60041. Xf3108. Long dress cheongsam. 110cm,120cm 130cm 140cm,150cm. Beach kimono: 


r:app:id:iphone" content="305343404" /><"http: //thenerdybird.tumblr.com/page/6" />
Now Playing Tracks

bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

We make Tumblr themes