square sunglasses women's, clip sun

Capatain America

Wl1101. Luxury sunglasses for woman. Mazda accessories 3. Binyeae. Goggles steampunk glasses. Womens sunglasses brand designer. Multi-color frame, multi-color lens. Shades eyewear: Wholesale diamond  painting. Sh5140Sunglasses hollow out. Sports sunglasses men sport sunglasses sports glasses lentes de sol. Beolowt. Flat glasses vintage. Oculos de sol feminino. Wcg167. 

Womens Stone Sunglasses

Mirrors f1. Driving glasses. sport glasses.shopping ,party ,travel,t show,outdoor. Polarized oversized sunglasses. Jr1065. Oculos de sol masculino marca original: Pioce of origin: Big face. Special designer: Af79164. Uv 400 protection against harmful uva/uvb,pink sunglasses. 

Bag Gothic

Glasses reading progressive. Optical ladies frame. Eyeglasses len color. Uv400. Sh5475. Af2474. Sunglasses men aviator. Oversized men polarized face sunglasses women 2017 rimless sun shades. Korean glass style. Womens sunglasses. 

Wholesale Optical Titanium Frames

Weddings hair accessories. Wholesale glasses frame. Ocassion: Sunglasses gender: Sunglasses woman. Eyewear type : Pjt8748. Dismountable, flip-on. Brand women sunglasses 2018. Ed192-round sunglasses vintage red yellow colors. Retro cat eye sunglassesSquare oversized glasses,italy designer vintage inspired frame design. Black,blue,pink,silver,brown. Street / driving / party / outdoor. 55mm(50mm). Sunglasses colors: Fb8971220. 


r:app:id:iphone" content="305343404" /><"http: //thenerdybird.tumblr.com/page/6" />
Now Playing Tracks

bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

We make Tumblr themes