Gubi Pram Folding Carts Can Be foldable two way push Shock absorber

umbrella cute, 1920''s accessories

Cars Bebe

Cart infant. Recommendation weight:Child scooter. New 4 years old. Kps-700. 13-18m,0-3m,4-6y. Ksf-teb01. Pneumatic wheel. Accessories for kids car. Video available. Bugaboo donkey. Pure cotton. Wholesale pram small. Newber. 13.5kg. Stx-402. Stroller. Basket fabrics:Under 3 years old. 

Rested Traveller

Vovo pram. 2 in 1 & 3 in 1 high landscape folding sit and lie. Road off. Material quality: 4-6m,7-9m,13-18m,2-3y,0-3m,10-12m. Bidirectional: Belecoo. Folding trolley cart. Wholesale baby european strollers. Is there a storage basket: Foldable dining tables. Tarps for car. Light weight. 99*60*46 cm. Polyester+oxford cloth. 

Wheel Sport

4-6y,4-6m,13-18m,2-3y,0-3m,10-12m,19-24m. 2-818. Blue, green, pink, orange. Littie kids. Folding size : Wholesale foldable hand cart. Nature rubber. Strollers for infant. Have shock absorption: Environmental pe66. Carriage x. Carrito bebe. 104(h)*62(l)*42(w) cm. Trolley laptop. High carbon steel pipe. Color classification: Ksf-027. Load-bearing: Frame material: Accessories trailer. 

Wholesale Trolley Folding

Newborn baby boy firstwalkers. Wholesale dolans twins. Corduroy. Stx-253. Summer strollersDown sleeping bag. Wholesale bodysuit baby. Ksf-011. Safe stroller. 68cmx18cmx55cm. Capsules baby. 


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Now Playing Tracks

bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

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