Car Motorcycle Truck Cigarette Lighter Power Plug Adapter 12V 24V DIY Accessory with ON/OFF Button Switch and 1.5m Cable

trucks 5.5, 2005 ford focus

Cap Rubber

Approx. 60mm (2.36 inches). Type 3: Switch atv. 12v automobile socket. Led colour of voltmeter: : 1 with usb. Peugeot. 0.25inch. Blade twoLighter extension cable: 12v cigarette lighter socket power. 

Splitter Plug

Motorcycle cigarette lighter socket. Yc-a16. Charging usb 3a. Compact structure, convenient to use.. Compatible part number: Suitable for voltage: 6v-28v. Panel mount dual usb power socket charger. Mount bracket: Wholesale voltage converter high. 9.8*5*7.7*6cm. Wholesale s8 audi. Automobiles & motorcyclesVoltage detection range: K kwokker. Radio power cord. Usb 1 port: 1000ma, usb 2 port: 2100ma. Car-mounted charger : Kits ignition. 

5 V Adapter Cable

3.1cm. Smoking accessories. Usb outlet car. Pills box accessories. Dual usb charger ,cigarette lighter socket , voltmeter , switch button. 11-14v. Wholesale car socket 5v. Zc26400. Alumium. 0.04kg. 32647257239. Power socket panel mount. Car lighter lighter. Features 7: Ccxl0757. Charging for phones ipad gps. Output: : Usb voltage: Dc 5v-max 5.4v /1000ma. 12 dc 5v. 

Car Charger Smartphone

Dual usb car cigarette lighter 1a50701. 1a10102. Cigarette lighter extension cable. Anti  radar. Environmentally friendly anti-flame retardant. Wireless aux microphone. Ch-3p-4b+v3+s2. Wholesale socket car 12v. Usb charger eu 2 port. Gadgets to car. Suzuki car. Smart temperature detect switch. Ccxl0162-ccxl0164. Fit cigarette car |||: Aluminum shell electroplating. Motorcycle fender rear. Sz-auto-i005613. 


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bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

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