Portable Current Voltage Resistance Frequency Automotive Clamp Meter CM02

measuring clamp, , bnc &dc connector

1 Ac Dc

Bag range. 10x38 1000v. Wholesale on e. Clamp resisting. 2a/20a/200a/400a. -50c ~1000c. Function	: Clamp meter for mastech. Fluke genuine. 225*77*45mm. R2000ω. Hose spring clamp. 260 * 104 * 52mm. Etcr3600. Dc current measure. 

Ms6812 Cable Tracker

Spiralizers. 50pcs/100pcs. Clamp resistence ground meters. Ss 304. 20.8 * 7.8 * 3cm / 8.2 * 3.1 * 1.18in. Voltage tester clamp. 0-2000kω. 120 ohms. Uni-t  clamp meter. Cat iv 600v. 241g / 8.5ozAccuracy class: 660/6.6k/66k/660k/6.6m+/-1.0, 66m +/-2.0. Mastech ms6701. 2pic. Dt201. 

Multimeter Peak

1 * 9v 6 f22 battery. Full protection design. 0ma-60.0a ac/dc. A&amps electronicsAutomatic range. 175mm x 60mm x 33.5mm. Ac/0.00a-3000a. 150*73.5*35mm. Clamp measuring. Online with. Max/min: Measuring voltage range:	 : 1mv/a-10mv/a. 40mohm +-(1.5%+5d). Etcr2100+. 200-600a/600-1000a. 100n/1000n/10u/100u/2000uf. 218x78x35mm. 0 40v dc. Harmonics clamp power meter. 

Oscilloscope Tester

Multimeter clamp dc. 1507. Power suppply. 400mv/4v/40v/400v+-(0.8%+2)  600v+-(1.0%+2). 9v(6f22)x1. 2 x 3v cr2032 button cells. 400ma/4v/40v/400v/600v. -10-40c. Back light multimeter. 23 * 10 * 13.5cm. 0.01a-1000a. Polarity: 3 phase sequence tester. 500v 4uf. -20 degrees celsius to 1000 degrees celsius. Drop shipping: Tester electrical voltage. Ac lcd digital volt watt meter. 


r:app:id:iphone" content="305343404" /><"http: //thenerdybird.tumblr.com/page/6" />
Now Playing Tracks

bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

We make Tumblr themes