Free Shipping Red Vintage Japanese Women's Silk Satin Kimono Yukata Evening Dress Peafowl One Size H0029

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Korean Styles Dress

Clothing hippie boho. Dresses for photographers. H0016. Korean chinese. Samba carnival costumes. L,xl,2xl,3xl,4xl,5xl,6xl. Nk023. Origin: Aa213. Hula skirt hawaiian. Vintage mexican dresses. Mongolia clothes. Traditional clothing. Longqibao. Acrylic,polyester. Black korean dress. Femme robes. Kr17003. 

Japanese Traditional Kimono

Hf874. 62402. 125 (children's 125-135), 140 (children's 135-145). Korean tradition. Women hanbok dress. Dd111. Yukata obi. Features: Spring , autumn. Mexican embroidered blouse. H0007#. 121402. 

Wholesale Samba Costume Feather

H0023. Korean wedding hanbok. T60041. 15112368. Dance performance costumes. 2018 bandage women dress. Han fuIs_customized:Vintage novelty party for wear,. Jk089. 

Kimono Femme

Russia. Special useful: Beach kimono. Evening dress. China (mainland)Clothing oriental. H0039. Clothing chinese traditional. Jk053. Light blue. Red.green.pink. Hf067. Under 17 years of age. 


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bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

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