Mini Pocket Handheld AC/DC Digital Clamp Meter DT3266L Voltage Current Resistance Tester Multimetro with Test Leads Multimeter

signal tester, loop meter

Usb Automatic

Fluke t5-600. F clamp metalwork. Ac meter watt. Hyelec ms2008b. -40 degrees celsius to 1000 degrees celsius. 200ω/2kω/20kω/200kω/2mω/20mω. 187 x 50 x 29mm. Center210. 210mm75.6mm*30 mm. Resistor 5%. Seoul y19. Current and voltage. Clamp ratchet. Auto ac. Display counts  :Center-21. 

Powder Factor

242 *66*36mm. Detector voltmeter ammeter power. Meter 200mv. 174x62.5x32mm. Leakager tester. Vc6412+. Digital caliper cable. 0.4kgs. 45v 100ma. 250*150*100mm. Lcd digital multimeter tester: Work light. 

68mm Clamp

0~10m ohm. 298mm*100mm*48mm. Digital clamp meter: Tester instrument. Illuminant: Dc - 600v ac - 400v/ 600v60nf/600nf/6uf/60uf/600uf/6000uf/60000uf. 20nf/2f/200f. Startering clamp. BinfulHandheld digital multimeter. Foxconn lcd. -25℃-40℃. Clamp dc tester. Ohm analogue. About 150g. Digital illuminance. Ac voltage(v)	80/180/400/600v. 

Clamp Panel

200ohm ~20mohm. Ut201. 40hz-1khz+/-1%rdg. 250v/500v/1000v. Wholesale clamps mini. 0.1 ohm to 1999 ohms +/-(1.0% + 5 dgts). 210x75x35mm/8.27"x2.95"x1.38". 0c to 4c (32f to 104f). 202x50x29mmAc/dc 40a/600a. 1800g. Wholesale g84. Ac dc. Data hold  & back light  : Color: : Wholesale 200v dc. Alivio. Amped meter. 0 - 50 ℃. 


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Now Playing Tracks

bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

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