Hot Digital Clamp Meter LCD Display Multimeter Tester Back Light TRUE RMS Ammeter Voltage ACV DCV Resistance Capacitance

braided for soldering, auto range digital multimeter multi

Clamp Earth Ground

10%~90%. Measuring frequency  range: 2a / 20a 400a. See details. Fluke tools. Max mode: Advertise. Toaster function. As  show. 0-1000v. 1v~600v. 0.01v-1000v. Tension meters. 20k ohm  (1%+4). Ms2008aElectric meter. "ol" shown on the display. 50+/-25 with audio tone. Temperature (c): 0.01 to 600 a. 

Food Scale 2017

Fluke 15b. Lcr auto meter. 065kg. Digital lcd multimeter. Tite: 600.0ω/6.000kω/60.00kω/600.0kω/6.000mω/60.00mω. 0.1v to 600v, +/-(1.0% of rdg + 5 dgts). 271mm(l)x112mm(w)x46mm(h). 600v(ac/dc). 0-40 degree c. Display  : As shown. 300/3k/30k/300k/3mohm. 600ma/6000ma/60a. As product features show. 

Clamp Amper Meter

Probe clamping. Dc 600v  ac 450v. Current clamp 60a. 29.1 * 22.5 * 6.8cm. 1.7kgs. On and off: Voltimetro amperimetro dc. 3999 counts. 600ohm/6kohm/60kohm/600kohm/6mohm, 60ohm. 9v battery(6f22, not included)167g(only meter). Alpha free. 

Dc Voltimetro Amperimetro

199.9ohm. Crabs clamp. Product size: : Sample rate: Dc:200a/2000a. Display mode : Clamp 80. Cn online. 6v dc(lr6*4 alkaline dry batteries, continuously working for 12 hours). Digital telephone tester. 400/4k/40k/400k/4m±(1.2%+2) 40m±(2.0%+5). 


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bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...
bisexualangelinajolie:
“ “Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next...

bisexualangelinajolie:

Whatever was the center point of that shot had to be in the center of frame. In the faster cutting that [George Miller] has got your eye won’t have to shift on an Anamorphic frame, won’t have to shift to find the next subject when you’ve only got 1.8 seconds of time to do that. That theory of not having to move your eyes and being able to fast cut and it just goes bang, bang, bang, bang, bang, takes you into it, and the is basically the whole of the film. All we would hear all the time on the coms was George [Miller] saying “PUT THE CROSS-HAIRS ON HER NOSE! PUT THE CROSS-HAIRS ON HER NOSE!” and you put the cross-hairs on Charlize [Theron]’s nose. You didn’t offset to grab any of the information in the background, th e camera had to be in the center, it was very disciplined that way, everything is symmetrical.” - John Seale, DoP

Symmetry in Mad Max: Fury Road // 2015

(Source: lesbiangonegirl)

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